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Chapter 13, by Kathleen Newman, originally appeared as 'Steadfast Love and Subversive Acts: The Politics of La Ofrenda: The Days of the Dead,' Spectator: Journal of Film and Television 13.1 (fall-winter 1992-93): 98-109 published by the University of Southern California School of Cinema-Television and reprinted by permission. 4 (winter 1993): 579-92, and as 'Grassroots Video in Latin America,' in The Daily Planet: A Critic on the Capitalist Culture Beat, by Patricia Aufderheide (Minneapolis: University of Minnesota Press, 2000) copyright 2000 Regents of the University of Minnesota and reprinted by permission. An earlier version of chapter 10, by Patricia Aufderheide, originally appeared as 'Beyond Television: Grassroots Video in Latin America,' Public Culture n, no. Portions of chapter 4, by Seth Fein, originally appeared as 'Dicen que soy comunista: Nationalist Anticommunism and Mexican Cinema of the 19505,' in 'Revision del cine de los cincuenta/Revisioning Film in the Fifties,' Nuevo texto critico 21-22 (spring 1998) copyright Seth Fein-Nuevo texto critico published by the Department of Spanish and Portuguese, Stanford University, and reprinted by permission. Chapter 3, by Julianne Burton-Carvajal, originally appeared as 'Araya across Time and Space: Competing Canons of National (Venezuelan) and International Film Histories,' in a special issue, 'Revision del cine de los cincuenta/RevisioningFilm in the Fifties,' Nuevo texto critico 21-22 (spring 1998) published by the Department of Spanish and Portuguese, Stanford University, and reprinted by permission. University of Minnesota Press Minneapolis LondonĬopyright 2000 by the Regents of the University of Minnesota The University of Minnesota Press gratefully acknowledges permission to reprint the following essays. Visible Nations Latin American Cinema and Video CHON A.

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